!Now Ya Know: Sebastian Mikael

If you can’t get enough R&B sounds from the likes of Bryson Tiller and Tory Lanez, you should consider adding Sebastian Mikael to your playlist.

A classically trained Swedish-Ethiopian vocalist, Mikael has recently enlisted producers like SEVNTH & Tropi@DiControl to create and release a few new projects with a trendy Electro-R&B mix.

To longtime fans, Sebastian Mikael’s new songs “Dark Clouds” and “Numb to it All”, both featuring $ean Wire, are great reminders of how talented he is. To new listeners, his music sparks enough intrigue to look forward to a new album. Since releasing his first studio album Speechless in 2014 featuring artists like Wale and Teyana Taylor, Mikael has been flying under the radar while working on his craft, which seems to be paying off with these new singles.

Once you hit play and fall in love with the music, you will soon realize that the singer has managed to create a trail of crumbs long enough to lure you in, but short enough to keep you wanting more.

“Dark Clouds”

“Numb to it all”

New Rome Fortune Drops this Friday

It’s hard to truly appreciate honesty until you’ve been lied to and these days, not every artist on the (internet) radio is keeping it one hundred. so let me be honest. You should be listening to Rome Fortune. The Atlanta rapper known for his green beard, Beautiful Pimp mixtape series, and collaborations with OG Maco, Kaytranada, and ILoveMakonnen (to name only a few), will release his first album on Fools Gold Records this coming Friday, February 26th*.

rome-fortune-1440x960

Rome tells life like it is, when he’s about to get into an Uber, when he’s wrong, or depressed, or when he isn’t healthy- when he’s talking about the nasty, or when he loves his kids so much he could lose it. In doing so, he manages to avoid coming off like a cornball. And he’s outrageously honest. He’s hilarious and heartbreaking -grabbing asses and touching nerves- all over beats that are either underwater or otherworldly. His art and style occupy a lane that is easily enjoyed, appreciated, respected, and danced to.

If you’ve been sleeping on him, you still have time to join Team Early and pre-order Jerome Raheem Fortune before it drops this Friday. Be forewarned that if the rest of his body of work is at all representative of this endeavor, it’s likely to arrive unaccompanied by fucks.

*Possibly to commemorate and honor the late Trayvon Martin, who was killed on this date in 2012.

Meet Michl, Music’s New Mystery Man

We’ve seen this script before: mysterious musician arrives on the scene with awe-inspiring music but no inkling of their persona. The Weeknd did it to no chagrin; you could argue that his cryptic introduction helped propel him to the level of stardom he enjoys today. It appears we have another adopting this method who goes by the name of Michl.

Having amassed more than 1 million plays in less that three months for his preeminent debut track “Kill Our Way To Heaven,” Michl’s clearly got a good head start. Sporting a smooth falsetto sound (akin to the aforementioned Canadian) along with some spooky production, this enigmatic upstart shows promise not too many can emulate in this saturated age of internet artists.

His latest song “When You Loved Me Least” affirms that outlook as his melancholic gem seems to contain more alluring angst and anguish than the first. Michl’s heartbreaking ode to a fractured relationship is beautifully crafted as it is audibly fascinating.

Keep an eye, er, ear out for this kid in the near future. I wish there was more to say about Michl but then that would take away from the mystery, won’t it?

M.I.A. Challenges the NFL in “BOOM ADD”

Never one to shy away from controversy or standing up for her beliefs, M.I.A. sends a clear message to the NFL that she won’t put up with what she calls “a massive waste of time and a massive waste of money.” If you recall, in 2012 the NFL sued M.I.A. for $16.6 million in damages after she flipped the bird during her cameo with Madonna at the Super Bowl Halftime show.

“Boom” was actually recorded in 2012, but after the NFL lawsuit, M.I.A. was ordered to edit the song to omit controversial lines in the song.

She said, “There was a verse two to it, which basically says, ‘Steve Jobs went to India and Jesus went to India. You know, it’s not that alien’ …so before they re-opened the lawsuit and went into litigation, one of the things they negotiated for is that I don’t put the song out. So I agreed and so I edited the song so it didn’t have any offensive bits and I put it on as a skit.”

Perfectly timed around Beyonce’s Formation performance controversy, M.I.A. is now releasing her full song to the world. Is the NFL harder on women of color? M.I.A.’s answer is yes. Her court documents cite various occasions where players and coaches cursed or flipped each other off, as well as risqué Super Bowl concerts by Michael Jackson, Madonna and Prince. The track includes a recorded message from lawyers explaining the NFL’s lawsuit.

She raps, “Brown girl, brown girl, turn your shit down, you know America don’t wanna hear your sound, boom boom, jungle music, go back to India.”

Surprise Album Releases: Good For The Fans Or Just A Gimmick?

Remember growing up and looking forward to that favorite album coming out on any given Tuesday (now Friday)? I sure do. It resembled a pseudo-Christmas of sorts. The date’s been set, the hype’s been elevated and the anticipation is so palpable you can cut it with a plastic knife. These days, however, we’ve been inundated with a new trend: the surprise release. Is this the status quo for most new music or just a passing fad that will die out?

From David Bowie to Beyoncé, musicians are employing this tactic at an almost feverish pace. Well, maybe not feverish, but it’s getting there. Let’s call it lukewarm. Queen Bey is credited for making this trend, well, trendy with her eponymous LP back in 2013 (though husband Jay-Z employed a similar method for his Magna Carta Holy Grail LP five months earlier). One-off singles, complete projects, you name it – artists are grinning with glee dropping these unexpected lucrative bombshells while we as the masses eat it up. Given what we know, the phenomenon appears to be a win-win scenario. Who made it popular is all semantics but let’s take a look at the pros and cons to this approach.

Pros:

1. The move garners global attention at a faster rate

2. It gives fans a sense of wonderment

3. The bootleggers (a.k.a. dirty motherf*ckers) are caught off guard to lessen piracy

4. Keeps up with the never-ending indifference/ADHD minds of millennials

5. Sales usually spike due to the surprise

Cons:

1. No more lengthy marketing campaigns (is that a bad thing?)

2. Music journalists like myself have to scramble to stay current

3. The risk of not having a backup plan rises in case the proverbial needle barely moves

4. Some form of hater will find a gripe with this over time (if not already)

5. It becomes played out to the point where we want our scheduled releases, damn it!

Whether the good outweighs the bad is anyone’s guess regarding this fad. Artists like Drake and Skrillex as well as the aforementioned have done it successfully and most likely will continue, though there’s something to be said for the traditional route.

When Kanye West announced release of his next album So Help Me God/SWISH/Waves/T.L.O.P. (make up your mind!!) on Feb. 11, the hype became real. No more guessing as to when it’ll arrive; we already know. He’ll move units without the help of a surprise. The indecisiveness on the LP title is another matter (and genius in terms of marketing) but what it boils down to is, if you’re an A-lister, no surprise is needed. Heck, if you’re coming up it, can go the same way.

In the immortal words of Diddy, surprise releases can’t stop, won’t stop any time soon. Well, they can stop but that could be a ways away.

Behind The Music: Top 5 Samples from Kanye West’s TLOP

We’re fresh on the heels of The Life of Pablo’s release and everyone has a thinkpiece out. Don’t believe me? Take a quick scan of your TL. Don’t worry. I’ll wait.

There are pieces in defense of Kanye’s genius, stories on why we should love him or be justified in hating him, treatises on his personal politics, open letters on Taylor Swift’s behalf; the list goes on.

This article is none of those things.

As is the case with all Kanye West productions, TLOP is full of emotion, rife with soul stirring production, potent punchlines and awe inspiring features. I mean, he got R&B recluse, Frank Ocean, to hop on a track. No easy feat! For perspective, Frank hasn’t even been able to lock down a Frank Ocean verse on his own damn album.


Hip hop is deeply rooted in bricolage–creating immersive experiences via the layering of seemingly discordant things. Rap, hip hop culture’s verbal extension, often achieves this to dizzying effect through the art of sampling.

When it comes to samples, Kanye West is an imagineer. Mr. West tinkers with sound, faultlessly commingling music genres, challenging tastes and swelling the musical palates of self-professed hip hop traditionalists. The Life Of Pablo finds Kanye’s sampling skillset at an all time high. Expand your musical library and read along for my list of top TLOP samples:

“Bam Bam” by Sister Nancy

A staple at most family gatherings, “Bam Bam” is a reggae classic by legendary dancehall DJ Sister Nancy, that you’ve probably heard at one cookout or another. And, if you haven’t? Kanye’s got you covered.

“Bam Bam” makes a brief, yet impactful cameo on “Famous”– a Swizz Beatz’ produced song that can best be described via the flame emoji. By far the most controversial TLOP track (due in part to a now infamous Taylor Swift lyric), the reggae tinged sample adds a dash of melodic reprieve from Kanye’s braggadocio and bars that have garnered notoriety in all of fourfiveseconds.

“Do What You Gotta Do” by Nina Simone

Ms. Simone can do no wrong in my eyes, and it’s evident that Mr. West agrees. Ye’s use of Simone’s “Do What You Gotta Do” on “Famous”, his collaboration with Rihanna and Swizz Beatz, marks the fourth time the MC has enlisted Simone’s pipes on one of his joints (see: “Blood on the Leaves”, “New Day” and “Bad News”).

The sample, first covered by Rihanna near the song’s opening, is left virtually undisturbed–functioning as the track’s outro. Nina’s slow-burning delivery is just one of the innumerable reasons why she’s one of jazz music’s most frequently sampled artists.

“Panda” by Desiigner

“Panda”, by latest G.O.O.D. Music signee Desiigner, has been bubbling just under the surface of hip hop’s Top 40. The track’s been gaining steam and extended radio play in the Tri State area after being quietly uploaded to Soundcloud in December of last year.

In what is likely the co-sign of the year, Kanye incorporates the hook of the viral hit on “Pt. 2”; letting it serve as not one, but two separate verses.

“Mystery of Love” by Fingers, Inc.

Like any true Chicagoan, Kanye West has an affinity for house music. No seriously, they love it here. One of the stand out tracks of the project, the Post Malone and Ty Dolla $ign assisted “Fade”, finds Ye in perfect form with its use of Fingers, Inc.’s “Mystery of Love”. The artist stretches the sample to its limits– building the emotional intensity with a pulsating bassline.

“Deep Inside” by Harddrive

If you thought I was kidding about the Windy City’s devotion to house music,  I wasn’t. Being a son of the Second City, Kanye loaded the bases on “Fade” with an additional house track–the impossibly dancey, “Deep Inside”. You’ll hear the sample most notably via the repetitive refrain of those two words near the song’s close.

Bonus:

I cried the first time I listened to “Ultra Light Beam”. No, that’s not an exaggeration. Tears fell. TLOP’s leading track is a metaphorical “God dream”; transporting audiences to church with vocal backing from Chano, The-Dream, Kelly Price, Kirk Franklin and a full choir. Anthemic, “Ultra Light Beam” radiates out of speakers–meaning it’s a song that you feel good about listening to and sharing with grandma. Yeezus’ craftsmanship is hard at work, introing the self-proclaimed gospel song with the prayers of prepubescent preacher, Natalie is Great.

Are you interested in learning more about the samples behind some of your favorite songs? Let us know in the comments section!

2016 Grammys Results

The highly anticipated 58th Annual Grammy Awards have come and gone. Some winners were a no-brainer, while others left us rewinding the program on our DVRs to make sure we heard the announcement correctly. With the controversy over the lack of diversity at the Oscars, Beyoncé’s Super Bowl 2016 halftime performance, and general outrage over the lack of parity minorities face in all aspects of society, all eyes were on the Grammys to “get it right.” Below is a compilation of the winners and nominees of the biggest categories.

Did they get it right this time?  Share your thoughts in the comments section below!

GENERAL

Record of the Year

“Really Love,” D’Angelo and the Vanguard
WINNER: “Uptown Funk,” Mark Ronson featuring Bruno Mars
“Thinking Out Loud,” Ed Sheeran
“Blank Space,” Taylor Swift
“Can’t Feel My Face,” the Weeknd

Album of the Year

“Sound & Color,” Alabama Shakes
“To Pimp a Butterfly,” Kendrick Lamar
“Traveller,” Chris Stapleton
WINNER: “1989,” Taylor Swift
“Beauty Behind the Madness,” the Weeknd

Song of the Year

“Alright,” Kendrick Lamar
“Blank Space,” Taylor Swift
“Girl Crush,” Little Big Town
“See You Again,” Wiz Khalifa featuring Charlie Puth
WINNER: “Thinking Out Loud,” Ed Sheeran

New Artist

Courtney Barnett
James Bay
Sam Hunt
Tori Kelly
WINNER: Meghan Trainor

Pop Solo Performance

“Heartbeat Song,” Kelly Clarkson
“Love Me Like You Do,” Ellie Goulding
WINNER: “Thinking Out Loud,” Ed Sheeran 
“Blank Space,” Taylor Swift
“Can’t Feel My Face,” the Weeknd

POP

Pop Duo/Group Performance

“Ship to Wreck,” Florence + the Machine
“Sugar,” Maroon 5
WINNER: “Uptown Funk,” Mark Ronson featuring Bruno Mars 
“Bad Blood,” Taylor Swift featuring Kendrick Lamar
“See You Again,” Wiz Khalifa featuring Charlie Puth

Pop Vocal Album

“Piece by Piece,” Kelly Clarkson
“How Big, How Blue, How Beautiful,” Florence + the Machine
“Uptown Special,” Mark Ronson
WINNER: “1989,” Taylor Swift
“Before This World,” James Taylo

DANCE/ELECTRONIC MUSIC

Dance Recording

“We’re All We Need,” Above & Beyond featuring Zoe Johnston
“Go,” the Chemical Brothers
“Never Catch Me,” Flying Lotus featuring Kendrick Lamar
“Runaway (U & I),” Galantis
WINNER: “Where Are U Now,” Skrillex and Diplo with Justin Bieber 

Dance/Electronic Album

“Our Love,” Caribou
“Born in the Echoes,” the Chemical Brothers
“Caracal,” Disclosure
“In Colour,” Jamie XX
WINNER: “Skrillex and Diplo Present Jack U,” Skrillex and Diplo

R&B

R&B Performance

“If I Don’t Have You,” Tamar Braxton
“Rise Up,” Andra Day
“Breathing Underwater,” Hiatus Kaiyote
“Planes,”  Jeremih featuring J. Cole
WINNER: “Earned It ” the Weeknd 

Traditional R&B Performance

“He Is,”  Faith Evans
WINNER: “Little Ghetto Boy,” Lalah Hathaway
“Let It Burn,”  Jazmine Sullivan
“Shame,”  Tyrese
“My Favorite Part of You,”  Charlie Wilson

R&B Song

“Coffee,” Miguel
“Earned It,” the Weeknd
“Let It Burn,”  Jazmine Sullivan
WINNER: “Really Love,”  D’Angelo and the Vanguard
“Shame,” Tyrese

Urban Contemporary Album

“Ego Death,” the Internet
“You Should Be Here,”  Kehlani
“Blood,”  Lianne La Havas
“Wildheart,”  Miguel
WINNER: “Beauty Behind the Madness,” the Weeknd

R&B Album

“Coming Home,”   Leon Bridges
WINNER: “Black Messiah,”  D’Angelo and the Vanguard
“Cheers to the Fall,”  Andra Day
“Reality Show,”  Jazmine Sullivan
“Forever Charlie,”  Charlie Wilson

RAP

Rap Performance

“Apparently,” J. Cole
“Back to Back,” Drake
“Trap Queen,” Fetty Wap
WINNER: “Alright,” Kendrick Lamar
“Truffle Butter,” Nicki Minaj featuring Drake and Lil Wayne
“All Day,” Kanye West featuring Theophilus London, Allan Kingdom and Paul McCartney

Rap/Sung Collaboration

“One Man Can Change the World,” Big Sean featuring Kanye West and John Legend
“Glory,” Common and John Legend
“Classic Man,” Jidenna featuring Roman GianArthur
WINNER: “These Walls,” Kendrick Lamar featuring Bilal, Anna Wise and Thundercat
“Only,” Nicki Minaj featuring Drake, Lil Wayne and Chris Brown

Rap Song

“All Day,” Kanye West featuring Theophilus London, Allan Kingdom and Paul McCartney

WINNER: “Alright,” Kendrick Duckworth, Mark Anthony Spears and Pharrell Williams (Kendrick Lamar) 

“Energy,” Drake

“Glory,” Common and John Legend

“Trap Queen,” Fetty Wap

Rap Album

“2014 Forest Hills Drive,” J. Cole
“Compton,” Dr. Dre
“If Youre Reading This Its Too Late,” Drake
WINNER: “To Pimp a Butterfly,” Kendrick Lamar
“The Pinkprint,” Nicki Minaj

REGGAE

Reggae Album

“Branches of the Same Tree,” Rocky Dawuni
“The Cure,” Jah Cure
“Acousticalevy,” Barrington Levy
“Zion Awake,” Luciano
WINNER: “Strictly Roots,” Morgan Heritage

ROCK

Rock Song

WINNER: “Don’t Wanna Fight,” Alabama Shakes
“Ex’s & Oh’s,” Elle King
“Hold Back the River,” James Bay
“Lydia,” Highly Suspect
“What Kind of Man,” Florence + the Machine

Rock Album

“Chaos and the Calm,”  James Bay
“Kintsugi,”  Death Cab for Cutie
“Mister Asylum,”  Highly Suspect
WINNER: “Drones,”  Muse
” .5: The Gray Chapter,”  Slipknot

ALTERNATIVE

Alternative Music Album

WINNER: “Sound & Color,”  Alabama Shakes
“Vulnicura,”  Björk
“The Waterfall,”  My Morning Jacket
“Currents,”  Tame Impala
“Star Wars,”  Wilco

COUNTRY

Country Song

“Chances Are,” Lee Ann Womack
“Diamond Rings and Old Barstools,” Tim McGraw
WINNER: “Girl Crush,” Little Big Town
“Hold My Hand,” Brandy Clark
“Traveller,” Chris Stapleton

Country Album

“Montevallo,” Sam Hunt
“Pain Killer,” Little Big Town
“The Blade,” Ashley Monroe
“Pageant Material,” Kacey Musgraves
WINNER: “Traveller,” Chris Stapleton

For a complete list of categories (and their prospective winners and nominations), check out https://www.grammy.com/nominees.

OVO’s Majid Jordan Release New Video + Announce First Headlining Tour

Majid Jordan, the Canadian duo signed to Drake’s OVO Sound, announced their first headlining tour yesterday. They will hit the stage beginning on March 14th in San Francisco and will cover Miami, Brooklyn, Atlanta, Toronto, Los Angeles, and Chicago. To accompany their tour announcement, Majid Jordan also released a video to their track “Learn From Each Other” from the duo’s self-titled debut LP.

“Love From Each Other” is a mix of  chromatic chords, a slow and concentrated melody, and ambient vibes. In the new video, Majid Al Maskati sits at the bar while a young woman mouths the lyrics, first nervous, and then with energy as she sets her eyes on Majid. However, the video ends with a bitter twist. Watch it below:

In case you missed it, read our previous posts about this talented duo.